Past the sliding glass door of a mid-century house in West Adams, Los Angeles, through a courtyard where a guava tree drops fruit nobody picks up, there is a back studio with three monitors and the kind of natural light that photographers spend whole careers chasing. Galen Oakes is not taking photographs anymore. He is thirty-nine years old, an artist who taught himself to code, and he has been sitting in this room since September, seven in the morning to one at night, building an operating system for the way small businesses will run when AI finishes rewriting the rules.
He grew up in a cabin in the redwoods of Northern California. Westport, population sixty, the last village before the Lost Coast, the only stretch of American shoreline that was too steep and too wild for the highway builders to touch. His grandfather engineered nuclear submarines and came home with briefcases handcuffed to his wrists. His father was an environmental artist who took him to Macworld and bought a Centris 650 to publish a book called Sculpting with the Environment. His mother was a teacher who put a camera in his hands at sixteen, a Sony Cyber-Shot, this silver brick with a tiny screen, and he took it everywhere. He pirated Photoshop in middle school, aced an advertising final in community college without studying, got an incomplete in another class, dropped out. Trimmed pot for a year to save money. Went to Bali. Went to Burning Man. Moved to San Francisco at twenty-one, before Instagram existed, before Uber, and spent the next fifteen years shooting festivals for Red Bull, directing campaigns for Nike and Salesforce, helping build The Village, the premier tech venue in the city. Five companies. Every one of them was somebody else's dream. Every one of them ended the same way.
Oakes has ADHD, which he will tell you is a blessing and a curse in the same sentence and mean both parts completely. The blessing is that his mind holds twelve companies at once, sees the thread connecting a restaurant operating system to a dating app to a knowledge curation thesis, and follows that thread while everyone else is still opening their first tab. The curse is that the world was never built for the way he thinks. School was not built for it. The five partnerships that ate his twenties and thirties were not built for it. The traditional path from idea to company, the one that requires money and developers and project managers and eighteen months of runway before you ship anything, was not built for it. Then AI arrived. And the skill he had carried his whole life, the ability to see something clearly in his mind and describe it into existence with words, turned out to be the exact skill you need to build with it.
“I believe that my purpose in the world is to be a bridge between technology and environment. And here I am at 39, still trying to figure out how to make it. But because of AI, it's allowing for me to become independent and have more agency because it allows for me to create things that I would have needed lots of money and developers and all of this stuff before. And so now I want to take everything I've learned and help other people like me, creative people who weren't able to build before, have the same level of agency.”
That is what he is building toward, late at night, when the screens are the only light and the guava tree outside is just a silhouette against the street. Help creative people have agency. Give them the tools he never had. Build the thing he needed when he was twenty-five and talented and completely dependent on someone else's timeline, someone else's money, someone else's willingness to keep going.